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The Female Gaze — Rise of the Modern Hollywood Heroine
Natalie McCarty 1/2/25 Natalie McCarty 1/2/25

The Female Gaze — Rise of the Modern Hollywood Heroine

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The Only In/Out List You Need for 2025
Natalie McCarty 12/31/24 Natalie McCarty 12/31/24

The Only In/Out List You Need for 2025

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‘Babygirl’ Explores Power and Ambition, but at What Cost?
Natalie McCarty 12/30/24 Natalie McCarty 12/30/24

‘Babygirl’ Explores Power and Ambition, but at What Cost?

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‘Queer’: A Fever Dream of the Fragility of Love
Natalie McCarty 12/29/24 Natalie McCarty 12/29/24

‘Queer’: A Fever Dream of the Fragility of Love

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In Poems We Find Ourselves: An Anthology of Life’s Ups and Downs
Natalie McCarty 12/27/24 Natalie McCarty 12/27/24

In Poems We Find Ourselves: An Anthology of Life’s Ups and Downs

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Breaking Up with Your Best Friend 
Natalie McCarty 12/27/24 Natalie McCarty 12/27/24

Breaking Up with Your Best Friend 

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What We Sacrifice for Ambition: The Wounds of Love and Glory in ‘Challengers’
Natalie McCarty 12/23/24 Natalie McCarty 12/23/24

What We Sacrifice for Ambition: The Wounds of Love and Glory in ‘Challengers’

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Has Streaming Killed the Slow Burn?
Natalie McCarty 12/22/24 Natalie McCarty 12/22/24

Has Streaming Killed the Slow Burn?

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Mexican Roots, LA Dreams: Misael Villa’s ‘Neighbors’ 
Natalie McCarty 12/21/24 Natalie McCarty 12/21/24

Mexican Roots, LA Dreams: Misael Villa’s ‘Neighbors’ 

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Why ‘Joker: Folie à Deux’ Was a Box Office Flop — And a Lesson in Overestimating the Appeal of “Artistic” Blockbusters
Natalie McCarty 12/21/24 Natalie McCarty 12/21/24

Why ‘Joker: Folie à Deux’ Was a Box Office Flop — And a Lesson in Overestimating the Appeal of “Artistic” Blockbusters

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Carolyn Bessette-Kennedy and the Plight for Personal Style
Natalie McCarty 12/20/24 Natalie McCarty 12/20/24

Carolyn Bessette-Kennedy and the Plight for Personal Style

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We Caught ‘A Complete Unknown’ Early  — And It's a Folk Revival in Cinematic Form
Natalie McCarty 12/19/24 Natalie McCarty 12/19/24

We Caught ‘A Complete Unknown’ Early  — And It's a Folk Revival in Cinematic Form

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The Healing Power of Humor: Jamie Foxx’s New Special, ‘What Had Happened Was…’
Natalie McCarty 12/18/24 Natalie McCarty 12/18/24

The Healing Power of Humor: Jamie Foxx’s New Special, ‘What Had Happened Was…’

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A Love Letter to Lee Harker
Natalie McCarty 12/17/24 Natalie McCarty 12/17/24

A Love Letter to Lee Harker

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Why Liam Payne’s Passing Was Personal: A Reflection on Parasocial Grief and Relationships
Natalie McCarty 12/15/24 Natalie McCarty 12/15/24

Why Liam Payne’s Passing Was Personal: A Reflection on Parasocial Grief and Relationships

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The Women Behind ‘Wicked’: A Magical Tapestry of Feminine Energy and Friendship
Natalie McCarty 12/13/24 Natalie McCarty 12/13/24

The Women Behind ‘Wicked’: A Magical Tapestry of Feminine Energy and Friendship

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Life Goes On, and Yet, It Doesn’t: Reflections on ‘Normal People’
Natalie McCarty 12/13/24 Natalie McCarty 12/13/24

Life Goes On, and Yet, It Doesn’t: Reflections on ‘Normal People’

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From Ireland to Alaska with Miya Folick
Natalie McCarty 12/12/24 Natalie McCarty 12/12/24

From Ireland to Alaska with Miya Folick

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It’s Not Me, It’s You.
Natalie McCarty 12/11/24 Natalie McCarty 12/11/24

It’s Not Me, It’s You.

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‘Anora’ (2024): A Provocative Look at Labor, Autonomy, and Storytelling
Natalie McCarty 12/9/24 Natalie McCarty 12/9/24

‘Anora’ (2024): A Provocative Look at Labor, Autonomy, and Storytelling

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