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Running Late or Right on Time? Why 30 Is the New 20—According to Science, Society, and Culture

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Artist Spotlight: Laila Aissaoui’s Whimsical Observations of a Big City

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Netflix’s Take on 'People We Meet on Vacation'

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Growing Up in the Upside Down: A Final Farewell to 'Stranger Things'

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Mama's Boy: Matriarchal Miami in Marcello Hernández's Debut Special

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Looksmaxxing: The Myth of Objective Beauty

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Maybe Sleeping Beauty Was Ahead of the Curve: Rest as Reclamation

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Judy Blank Delves into Emotional Duality and Trusting Your Gut

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Brand Safer Things: The Tactful Ending to a Beloved Series

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The Ins and Outs for 2026

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A New Year of Environmentalism: Small Acts, Collective Impact

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How Do You Move Forward When the World Feels Unlivable?

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I Know Every Episode. I Still Watch. — 25 Years of 'Gilmore Girls'

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'I Love LA' is Rachel Sennott's Best Work Yet

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Returning to the March Sisters: A Reflection on Greta Gerwig’s 'Little Women'

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The Timelessness of Nutcracker Season

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'Frankenstein', 'Nosferatu', and 'Wuthering Heights': Classic Adaptations and Their Problem with Faith, Time, and Truth

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